Happy 8oth Birthday, Dad
Returned from Serbia just in time to finish this mosaic for my father's 80th birthday party that got postponed til June. Panel is 4 feet long and made to hang above his bed. Comprised of handmade 2-D ceramic leaves, ceramic tile and sici tile. Framed by Mission Gallery in San Juan Bautista.
.
This is what it looks like prior to being hung.
What a thing to try to get on the airplane to Denver.
Hanging it on super industrial hooks above his headboard is another challenge all together.
Attempted another leaf panel for my brother''s bathroom for his birthday in July. This one less than successful so it sits in the studio as part of my artistic exercise collection. Problem: not enough variety in color and pieces too far apart. Bland and blah. And darn if I still don't owe my brother a birthday present.
Next to the door, going into the old house, is a portion of wall we had left covered in hardibacker for a furture mural. Keeping with the ocean theme of the existing mural in the studio, Jan projected this mermaid on the wall and colored her in with chalk. Then began the delicious collection of baubles and beads. Collecting a veritable "Pirates of the Carribean" treasure chest of goodies to mosaic with is Jan's forte. Problem arose when we discussed how to mosiac our mermaid's body parts. Wouldn't it be nice to make them in 2-D clay? Yes of course, but while Jan and I like to sculpt neither one of us has any experience sculpting the human body. 
Enter our 26 year old friend, Nora Schwaller, who is finishing her BFA in Ceramics at San Jose State. Nora, aka "Bird Girl" (self explanatory when you view her body of artwork) can sculpt the human body, no problemo! See below. Nora's not bad when it comes to birds either:) 
And look like this...
Impressive work in one afternoon, yes, yes, yes! It pays to have talented friends in the sculpting department.
So....we took a little trip to Home Depot (that toy store for adults of "do it yourself" persuasion) and bought a gallon of cement paint which we had tinted blue to match the counter tile. A few hours lof elbow grease later and wa la! New floor!
A few small endeavors while on summer sabbatical. Finished the Mary Retablo with a background of black smalti.
Took this little fellow out of the kiln.
And a funny looking chili pepper...
Now in the process of being covered with beads and glass. 
Made a bit of progress on the outside atrium wall.
And since I couldn't be in the studio while putting new hardwood floors in the house, I brought the studio with me. A new window box valance. Have shards will travel.
After these are fired, they will require a clear glaze to be painted over the entire tile and then re- fired to Cone 05. We have no idea how they will really look until the moment we lift the lid. That's the exciting part of ceramics, opening the kiln and seeing what happened during the second firing!
A few 3-D hand sculpted tiles loaded in the kiln and ready for bisque 04 firing. The fish tile and the frog on the lily pad are made with slip glazes, which we've been exposed to for the first time in our sculpture class--something new for us, painting with colored clay. Lots of experimenting in progress. In order to appear shiny after bisque firing, these tiles will require a clear glaze and a second firing at Cone 05 or Cone 5, depending on the initial glaze used.
Here she is instructing a student in the fine art of using a hammer and hardie to chip the tiny smalti glass pieces. Takes some getting used to. Laurel, as always, is a dynamite instructor (wonderful spirit and lots of laughs) and a fabulous artist. Just getting to see what she's up to is worth the trip alone!
Master bedroom and bath freshly painted, 
along with new TV chest.
Dusted off the fairy mirror I started for her birthday last year (and never finished to my satisfaction), and gave it a quick face lift by adding a ceramic bow, butterfly and a few other little pieces. Hurray, check that off the unfinished projects list. 
This year's birthday challenge makes the fairy mirror look like a piece of cake.
Will this overly ambitious mosaicing mom be able to pull it off in time? Pressure's on!
Only a few things left to do in the next two days. Like paint her bedroom and bathroom a soft mint green--I do the trim work and edges, Ramon rolls the walls. Put the new ceramic handles on her chest of drawers that her father so kindly painted white for me last weekend. 
Finish mosacing the little panels on the chest her TV will sit on, and grout it. A
nd last but not least, grout and give a final coat of paint to her new queen sized pique assiette headboard; iron the bed ruffle and linens and put it all together before she walks in the door. 
Whew! Where's the room makeover team from HGTV when you need them? 
Marisa will be thrilled to see that I snuck in her little white ceramic kitty.
When it got broken, I promised her, not too worry, I'd recycle it for her one day. Voila!
Can you imagine how fun it will be to grout this? --Julie
One of our many larger than life projects around the studio is the outside wall to our garden atruim. This is an area that generally gets worked on when one is tired of other projects and decides to go outside and throw a few tiles up, so progress is slow. What makes it an enjoyable enterprise however, is getting to mosaic in an "everything but the kitchen sink" fashion, with an eye towards predominately woodsy colors. Working on this wall can be happily attended to without too much forethought.
The wall which runs perpendicular to this one, (sneak peek above) is a formal mural of a tropical nature. Stay posted for updates on that endeavor...
Why not? Words and sayings add visual interest and inspiration, and are easy to create using the endless variety of alphabet stamps on the market. We have found the ones that work the best in clay are sold at Michaels and are marketed as stamps for concrete. They are made of hard blue plastic and can be pressed deep into the clay. Concrete alphabet stamps show up in ceramic tiles particularly well no matter what glaze you are using. Here are examples of the concrete alphabet stamps used in tiles which replicate the word groupings used in stepping stones originally created by Frank Lloyd Wright.
Rubber stamps are also functional, but typically more successful in polymer clay. In ceramic clay, the text is not always readily apparent because the stamp is more superficial in nature. Examples of rubber alphabet stamps in clay can be seen below in this box of tiles. Tiles read: Dreamspace and A Work of Art.
Not wanting to give up on all our lovely rubber stamps, we discovered a way to deal with this problem by first rubbing black glaze into the bisqued tile words and then wiping off any of the excess glaze on the surface of the tile, and then coming back and glazing the whole tile with a solid color.
Here is an example of this technique using a small rubber stamp, where the text has been high-lighting with black glaze: the first stanza of the W. B. Yeats poem, Lake Isle of Innisfree. Much more readable. 
So, when you broke one of your beautiful hand-painted dishes from Taladura, Mexico, inspiration for your birthday gift this year was a piece of cake. Now you will be able to set your table with a matching centerpiece.
Finished pot made to complement Geri's blue and white mosaic garden table. --Jan
...On the table, ready for silent auction...sold for $100! Yipee!! --Julie
This past year we had the priviledge of taking a class at Institute of Mosaic Art with Laurie Mika. Fabulous teacher! Great fun! Delicious class, don't miss it! The insight you will gain from the variety of techniques she uses will be invaluable. We've pulled some of them into our ceramic tiles.
Jan and I have been admirers of Laurie's work for some time. When her book, Mixed-Media Mosaics: Techniques and Projects Using Polymer Clay Tiles, Beads & Other Embellishments was published, we purchased our copies hot of the press. Helpful hint: don't loan your book out! It's rated 5 stars on Amazon and full of wonderful secrets, not to mention the all the photos of her beautiful art work.
A Virgin of Guadalupe tile purchased in Albuquerque is the centerpiece of this large mosaic 
Measuring 6'X2', it was constructed on hardwood, and hung flat by being directly attached to the wall with screws on either end. After hanging, the two tiny areas left open for screw placement were patched with a pre-planned mosaic piece and grouted. The round edges of the retablo were obtained by running flat glass marbles along the sides and building grout over them to form an arc. Grout color is crucial to any mosaic--something we've learned the hard way. This piece works successfully in the room, because it was grouted in the same color family as the walls, using a slightly lighter colored grout.
Both of us have always been attracted to images of the Virgin Mary. 
Jan's shrine is still in the early design process, framed with gold 
Julie's shrine has been around a while and has gone through a variety of transformations. It originally had an image of Mary decopauged in the center and was grouted in a light colored grout. This was a poor choice, compounded by a worse attempt to rescue it by painting the grout joints with gold metallic paint. Disaster. The hope is now--after having every bit of grout chisled out, the decopauge picture stripped away, the center painted black and a new tile found for it's center piece--that tempered glass over the black background and black grout will eventually unify the work. 
When last we looked out the sliding glass door of the studio at the end of winter, the view looked something like this...
And before we knew it, Spring in all its northern California glory dropped in... 
And wouldn't you know it, tiles began appearing on the walls...
with word groups inspired by stepping stones made long ago by Frank Lloyd Wright...
Then a smaller wall fountain appeared-- another mural in the making...
and nasturtiums, looking a bit 
Stay tuned for further developments.
The idea of submitting this piece to the Society of Mosaic Artist's of America (SAMA) juried competition in 2007, got tossed around for a bit. But by the time it arrived safely in Colorado and was hung in it's final resting place without (miraculously) incurring any breaks or chips, sending the mosaic off on a potential second journey seemed like tempting fate. 
So on the wall it remains, in it's quaint little venue. Visitors to the Castleberry house frequently request to use Paul's bathroom, and is it any wonder? Who needs a newspaper or magazine for entertainment while stationed there.
A few of our final pieces photographed by Jan's husband, Brent in their lovely back yard.
Many of our first ceramic tiles --in the form of leaves and flowers--were included in these pots.
The life-like appearance of the shells was obtained, after some experimentation, by painting with ceramic underglazes.
Production in the studio (prior to our recent remodel) looked like this...
Pots lined up and ready for grouting...
Centerpieces were planted with a variety of sedum that had been propagated in Julie's garden for use in this project. These drought tolerant plants look a great deal like coral and plants one would find at the ocean bottom.
Difficult to see in these photos, two tiny glass fish on wires were stuck in the planter-mix to appear swimming above the plants. 
The centerpieces were placed in the middle of the table and coarse sand sprinkled around their perimeter. Real sea shells and dried star fish, along with glass beads and candles were then arranged around the sand for a lovely effect.
As always, at the end of the evening, names were drawn and the pots given away to the lucky winners. 
